Get an in-depth perspective on how award-winning mix engineer and producer Hannes Bieger mixes some of the world’s biggest club records.
343 Labs and SAE present a full-day masterclass with Hannes Bieger on how he creates the “perfect mix”. Creating a good mix starts with working with high-quality sounds, and no matter how good you can mix, your mix will never sound good if your source material is inferior. Drum tuning is another important aspect in creating a good mix, making sure that the track is balanced harmonically. Hannes will demonstrate how he approaches his mixes, built on years of experience working on some of the biggest club records. He will share his personal tips and tricks that he has accumulated, from basic concepts such as training your ears and determining good sound to the nuts and bolts of EQ, compression, and limiting.
With a client list that includes the likes of Âme, Ben Klock, Dixon, Stephan Bodzin, and Tale of Us, Hannes Bieger is one of Europe’s most in-demand mixing engineers. In this in-depth masterclass, you’ll spend the day with Hannes as he breaks down the techniques he uses to mix some of the world’s biggest club records. Expect lots of detailed knowledge, both technical and philosophical.
This masterclass will take place at Riverside Studios in Berlin and can be attended live, or attended remotely via live stream. Please note, if you are joining via live-stream, the recording will only be available in your account for 48 hours.
TOPICS Determining sound quality – what is good sound? Strategies to create good sound from the beginning (no fixing it in the mix) Working with monitoring, metering, and reference tracks Arrangement vs. Mix vs. Mastering Training your ears Drum tuning Filtering, Low- and high cuts Resonance filtering
With a career that started in the early days of house and techno at New York’s notorious Limelight, Abe Duque has been at the head of the acid-house and underground-techno table since his earliest releases way back in 1992. Between touring the world’s underground techno scenes, releasing on labels such as International Deejay Gigolo, Tension, Abuse Industries, and Rapture, and remixing tracks for household names such as Chemical Brothers and Pet Shop Boys, Abe later turned his attention to education, where he is now considered one of the most respected educators in New York City.
Get an in-depth perspective on how award-winning mix engineer and producer Hannes Bieger mixes some of the world’s biggest club records.
343 Labs and SAE present a full-day masterclass with Hannes Bieger on how he creates the “perfect mix”. Creating a good mix starts with working with high-quality sounds, and no matter how good you can mix, your mix will never sound good if your source material is inferior. Drum tuning is another important aspect in creating a good mix, making sure that the track is balanced harmonically. Hannes will demonstrate how he approaches his mixes, built on years of experience working on some of the biggest club records. He will share his personal tips and tricks that he has accumulated, from basic concepts such as training your ears and determining good sound to the nuts and bolts of EQ, compression, and limiting.
With a client list that includes the likes of Âme, Ben Klock, Dixon, Stephan Bodzin, and Tale of Us, Hannes Bieger is one of Europe’s most in-demand mixing engineers. In this in-depth masterclass, you’ll spend the day with Hannes as he breaks down the techniques he uses to mix some of the world’s biggest club records. Expect lots of detailed knowledge, both technical and philosophical.
This masterclass will take place at Riverside Studios in Berlin and can be attended live, or attended remotely via live stream. Please note, if you are joining via live-stream, the recording will only be available in your account for 48 hours.
TOPICS
Determining sound quality – what is good sound?
Strategies to create good sound from the beginning (no fixing it in the mix)
Working with monitoring, metering, and reference tracks
Arrangement vs. Mix vs. Mastering
Training your ears
Drum tuning
Filtering, Low- and high cuts
Resonance filtering
Schedule: 3-11 pm CET with a one-hour break.
Details
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